The band obviously felt the same way, as recordings of this style have even seen a couple of official releases, most notably on 1997’s Pop*Heart EP, and the Hasta La Vista, Baby fan club release from 2000.Īt the start of the band’s next tour, 2001’s Elevation Tour, the band seemed determined to treat Pop just like any other album, continuing to play favorites from it on subsequent tours. This stripped-back arrangement has undeniable appeal, with some lovely polyphonous vocals from the singer and guitarist, who I’ve always thought harmonized wonderfully.

That night, the song was first played in it’s now familiar acoustic arrangement, by just Bono and Edge, which was the version that was played every night for the remainder of the Pop*Mart tour. Finally, on June 1st, they seem to have had enough.

They even nailed it once or twice, (May 22nd is probably my favorite performance of this arrangement) but on other nights it was nearly as bad as that first attempt (May 14th actually saw a repeat of the “stop partway through and start over” technique). The band continued to work on the song over the next month or so, and it did improve to the point that listening back today doesn’t make me cringe in embarrassment. It sounded like they hadn’t rehearsed it properly, which was exactly the case. The second try that night was better, for sure – the tempo was improved, and the band were all on the same page – but it still sounded rough. It was so bad that they actually stopped halfway through and tried the song again. “Staring at the Sun”, especially that first night, sounded like each member of the band was playing a different song, and playing them all poorly. The tour, especially at the early dates, suffered. As the tour dates loomed closer and closer, though, the album still wasn’t done, and they ended up using the time that should have been spent rehearsing for the tour, finishing the album. The story goes that U2 were so confident as they were recording Pop that they told Paul McGuinness to go ahead and schedule the tour. When Staring at the Sun made it’s live debut, though, back in April, 1997, at the first Pop*Mart show – it sounded like crap. More than “Beautiful Day”, “Mysterious Ways”, “One”, or any of the other songs on that Best of album that we might think of as obvious favorites, so I honestly believe in the song, as both an unappreciated U2 classic and a song with genuine crossover appeal. “Staring at the Sun” was the song on that promo that those who were unfamiliar with U2 came to enjoy the most, out of everything on that disc. I used to work at a record store, and when the Best of 1990-2000 set was released, we had an in-store promo copy that I made sure was played several times a day for at least a month.

It’s got a great guitar part, some real heavy lyrics, and a hook that qualifies as an honest-to-goodness ear-worm. I think that as far as straight, radio-friendly pop music goes, it’s among the best the band’s ever recorded. That last one is the one I want to talk about today. I truly love Pop, despite all the bad press, and I feel that It contains some fabulous songs, songs that I really wish the band would revisit live, like “Gone”, “Please”, and “Staring at the Sun”. Is it delayed, or isn’t it? What if it never comes out – does that mean the band will never tour again? I don’t need to rehash the whole painful debacle for you, but it did get me thinking about what happened the last time U2 rushed an album out before they were ready.

U2 staring at the sun